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無事 Everything is Fine

In response to the recent state conducted kidnapping incidents, the victims were forced to lied about their return to mainland China is under their own free will and made confessions in front of national TV like a prisoner of war. The title of the work Everything is Fine can be interpret as ‘nothing really happens’ or an attitude towards absurdity. This artwork generates a strange surrealistic feeling, inspiring the viewer to reflect upon their own life under current political absurdity in Hong Kong.

這件作品回應最近在香港出現由國家策劃綁架與禁聲事件,受害人被迫像戰爭罪犯那樣在公眾媒體前公開表達自身的不自由狀態是出於自願, 而不是受到國家機器的打壓。「無事」這題目可以剖釋為沒事發生、也可剖釋為「虛無」、也許是一種對荒謬事件的態度。此作品令觀眾感覺離奇超現實,從而引起公眾反思香港當下政治生活裏的荒誕。

November 3rd, 2016

Everything is Fine 無事

360 VIDEO

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Controlling Device Candle 控制裝置蠟燭

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Carnival - Kacey Wong interview 黃國才訪問

Controlling Device Process 控制裝置製作過程

 Photo: Thomas Leung

Photo: Thomas Leung

 Photo: Thomas Leung

Photo: Thomas Leung

 Photo: Thomas Leung

Photo: Thomas Leung

 Photo: Thomas Leung

Photo: Thomas Leung

 Photo: Thomas Leung

Photo: Thomas Leung

 Photo: Thomas Leung

Photo: Thomas Leung

 Photo: Thomas Leung

Photo: Thomas Leung

 Photo: Derek Yung

Photo: Derek Yung

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Black Flag 黑旗

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Basic Dafa x Nam Mor Sic Far Mau Dun Doi

實不相瞞,小弟過去十數年苦練「基本大法」, 要知道「基本大法」雖然在中國大陸被打成為邪教, 但其法力無邊,世界通行, 所以我冒險也要修練,而且已修到一定成果。 數天前出去散步,巧遇歐陽東居士, 他修煉的是「喃嘸釋法茅躉代大悲咒」,拜的是「習大佛」, 本人雖然對此道有點保留,但對歐陽居士的個人情操十分欣賞及尊重。我倆漫遊寧靜的森林討論佛學期間, 忽然遇到一個書生,他正被白骨精所發出的「音波功」所凌虐, 於是我首先使出我的「基本大法」第一式之「講道理」, 怎料對白骨精完全無效!非常失望,最後我放下自我的成見,與歐陽居士合力一起諗「喃嘸釋法茅躉代」 大悲咒,此招有效,白骨精最後被我倆合力打敗落荒而逃,森林裏的動物見如此情況也拍手慶祝,場面十分感動。 過程被我的「第三眼」法寶記錄下來,現與大家一起分享。路見不平,拔刀相助,見義勇為,方為君子,阿彌陀佛~

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AK & Bread (AK麵包)

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《罷課不罷學》黃國才 用藝術去改變世界-如何把遊行示威轉化成為你的私人藝術館 24092014

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 Photo: Cyril Delettre

Photo: Cyril Delettre

 Photo: Cyril Delettre

Photo: Cyril Delettre

 Photo: Cyril Delettre

Photo: Cyril Delettre

 Photo: Ken Kitano

Photo: Ken Kitano

 Photo: Benson Tasang

Photo: Benson Tasang

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 Photo: Michael Wolf

Photo: Michael Wolf

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 Photo: Thomas Leung

Photo: Thomas Leung

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 Photo: Thomas Leung

Photo: Thomas Leung

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 Photo: David Chan

Photo: David Chan

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 Photo: Chan Dick

Photo: Chan Dick

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 Photo: Chan Dick

Photo: Chan Dick

 Photo: Chan Dick

Photo: Chan Dick

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Attack of the Red Giant 進擊的共人

‘Attack of the Red Giant’ a derivative work based on the Japanese comic ‘Attack on Titan’. A giant sculpture made of cardboard is built on a trolley. It stands out amongst the crowd due to its red color and height. The work was juxtaposing against the protesting crowd and the architecture on both sides of the road, creating an interesting contrast. The Red Giant symbolizes the bad guy who is fast approaching our city. It might even conceal itself amongst Hong Kong people, waiting for a chance to devour them.

「進擊的共人」是模仿日本漫畫「進擊的巨人」的二次創作。紙皮造的「巨人」站在手推車上,很高又且是紅色,在人群中一支獨秀。巨大的「共人」和它身旁撐起傘子的人群和大廈產生了有趣的對比。「共人」象徵壞份子正在對香港步步進逼。它甚至潛伏在市民當中,等待著 ’吃人’ 的機會。

Cardboard, colored adhesive tapes, push trolley

 July/1/2013 Hong Kong July 1st protest

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 Photo: Ho Leong Kwan

Photo: Ho Leong Kwan

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 Photo: Lucilla Chan

Photo: Lucilla Chan

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 Photo: Thomas Leung

Photo: Thomas Leung

 Photo: Thomas Leung

Photo: Thomas Leung

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 Photo: Thomas Leung

Photo: Thomas Leung

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 Photo: Tse Hiuyu

Photo: Tse Hiuyu

 Photo: Mary Chan

Photo: Mary Chan

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The Real Culture Bureau 文化號

The Hong Kong Government was trying to set up a Cultural Bureau few years ago. The official they were trying to appoint doesn’t really know much about art and culture policy and has a suspicious Communist background.  This angered many art and cultural people, they worried the bureau will eventually become a tool of suppression. Another inspiration comes from the Armored Personnel Carrier (APC) of the People Liberation Army (PLA). Linking these two events, I built a cardboard tank-like APC on a trolley so it can be moved easily. I also dressed up like a Communist official wearing Chinese tunic suit, Ray Ban sunglasses and red pins, playing the role of ‘Real Cultural Bureau Director’. One of the greatest achievements of my bureau is that the director’s photo got published on the Communist newspaper Ta Kung Pao. The reporter didn’t know the sarcastic meaning of the artwork and took a photograph of me during an art opening. I guess I infiltrated them after all!

幾年前香港政府說要成立文化局。將會是哪一位去帶領呢?市民懷疑是有「紅色背景」的官員。於是文化界人士起來反對讓文化局成為一個劣質政治洗腦工具。「文化號」的另一靈感來自解放軍的裝甲運兵車,紙皮造的裝甲車安裝在手推車上,推動非常方便。抗爭時我穿中山裝戴黑眼鏡,扮演著一個來自內地的「真文化局長」,專負責來香港收買市民。我還特別準備了一箱自己印製的藝術鈔票,用官方口吻大叫:「現在命令你們全部離開!不要作出反抗!這裡有錢,每人一億!拿去花吧!」「真文化局」最強的戰績是上了共產黨報──《大公報》。有一次《藝術學院》邀請我出席開幕典禮,《大公報》的記者居然把我拍攝下來,並登於報上,我猜我滲透他們了!

Wood, cardboard, speaker, push cart, banners, fake money

July 1st, 2012

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The Pinocchio 木偶奇遇號

‘The Pinocchio’ represents a lying puppet on a string controlled by someone else. There is a loud speaker in the bottom, connected to a smart phone playing a sound clip of Henry Tong Ying-yen questioning C Y Leung during a public debate. The recording was looped and played loudly: “You lied. You are lying, how come you are always lying?”

「木偶奇遇號」 象徵着一個說謊的扯線木偶。底部裝了一個揚聲器,接駁到手提電話,播放着唐唐 (唐英年) 與CY Leung (梁振英) 參與特首候選人公開辯論時的一段說話: 「你呃人!你講大話!點解你成日講大話?」

Cardboard, adhesive tapes, push cart, speaker, i-phone player

 January1st, 2013 @ Jan 1st Protest

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Art Citizens Parade for Freedom of Speech - Release Ai Wei Wei

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 Photo: Almond Chu

Photo: Almond Chu

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1001 Chairs Hong Kong 4 17 2011

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Don't Want to Remember Dare Not Forget 不想回憶未敢忘記號

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How to make a happy face?

This artwork was done during the SARS period of 2003 in Hong Kong when everyone were afraid of the contagious disease and are wearing face masks all the time. Their nose, mouth, and smile are gone. I tried many different compositions on the mask within two months period and finally discovered this image to be very effective to cheer people up. Not only the nose and mouth is back, everybody who saw my mask starts to smile again beneath their masks.